"The new album by Leicestershire’s Chris Mills aka C-Beem is called Jammin’ The Steam Towers' and offers ten tracks. Chris is never predictable and once again he shifts between his trademark sophisticated Synthpop style and other strands that dip into Psychedelia, Alt Pop and an underlying Funk sensibility as witnessed on opening track Peekaboo with shades of Cabaret Voltaire and 23 Skidoo in the quasi-industrial electro-groove, spoken word samples and slightly shouty vocals. But then we also get smooth horns and some jazzy Rhodes later in the track too. The industrial funk certainly remains present through the next couple of tracks before Starships adds some guitar jangle and a Bowie-esque octave-apart vocal melody.
Without Love, Nothing Is Real changes the mood and tone with bright keyboard and a lo-fi vocal production although the melody has echoes of Green Gartside-Strohmeyer of Scritti Politti. Warriors is slow and laid back with a mildly anthemic feel. Then comes the title track Jammin’ The Steam Towers. The accompanying synth waves have a watery feel but also act like a drone, holding the foundations in place while synths and guitars veer off in different directions against that constant root bass. Chris’s vocals on this track remind me a little of Neil Arthur in a mash with Jim Kerr while Nation of Language throw in spices. But the sound is intriguingly individual and, like all his songs, it is strong on melody and imagination. Ambient Synth Pop.
The album ends with the new single Babel, again underlining Chris’s versatility, a big driving piano melody playing over New Order-ish chords before giving way to verses that are a little like Bowie in a mash with Keane. The song is carried along by the momentum of its infectious melody and dynamic contrasts. A smart and strong finish to an imaginative, unpredictable and lovingly crafted album."
Neil March, Trust The Doc blog

"Rock At Night had previously the opportunity to talk to electronic boy extraordinaire Chris Mills, aka C-Beem, and now we have his latest album ‘Jammin’ The Steam Towers’ in front of us. Mills himself could not be labeled as a musical ‘spring chicken,’ and that experience truly shows here. It seems that in his role as C-Beem, Mills has gathered all the positives he could pick up from all forms of electro-pop, at no point neglecting all the elements that make good electro-pop – great melody, excellent beats, electronic base for the sound that at no point overpowers the song itself, and well, danceability. Mills adds here another element that might not seem essential but does make his music stand out – some substantial lyrics that go beyond mundane.
Mills himself describes the album as “a chocolate box assortment of music delights, not as conceptually tight as previous albums, but held together somehow by an art-rock, synth-pop vibe.“
And yes, C-Beem’s chocolate box has the necessary wide assortment of (electro) flavors, something anybody can desire from a good chocolate box. Great for the dancefloor, open window car ride, fitness runs… whatever."
Rock At Night magazine

" 'Jammin' The Steam Towers' is the new album by the talented C-beem, there are 10 songs from his career that form a sensational and lively album, a sequence of absurdly good songs.
The first track is 'Peekaboo', a collaboration with The Fantom Man, a delicious electronic rock, with characteristics of the 90's and the 80's, bringing synthesizers well placed, sophisticated and full of energy, a song that is alive and full of attitude, has beats that make us transcend, C-beem rocks this song.
'Under The Gun' is the next song, this time the partnership is with Lochie Brooks, the sounds that are C-beem's face are in the track, it's impossible to say that this song is not C-beem's, it has the artist's face and brings the eighties electro rock to the fore again, a complete song, with those synthesizer arrangements that we love and that are the artist's strong point, this song has mystery, it has intensity and it is authentic, C-Beem is a great genius.
'Toad of Toad Hall' is so light, fresh and full of life, a dynamic track, high spirits, c-beem's synthesizers bring innovation to the song and manage to deliver pep to music that is pure and special, a bright, colorful pop rock electropop and that brings joy to the listener. I want to listen to this song all the time. These tracks are not a partnership.
'Starships' is our favorite, so light and fun, able to lift our spirits, with an absolutely positive and incredible energy, this song brings us power, makes us feel alive, is a futuristic trip and manages to reach us, warms our heart and makes us float our mind, sensational.
'Without Love Nothing Is Real' is refined, light, romantic and beautiful, music that moves the listener, draws attention to the lyrics and has life, a song full of emotion.
'Warriors' is pure harmony, intelligent and authentic sounds make up a song that provides us with a journey through sound waves, is expressive in its notes and brings us a true encounter with ourselves. Intimate and energetic music.
Then comes the song that names the album, so beautiful, powerful, structured and special, a track that has power and originality, spectacular.
The rest of the album is fantastic and deserves to be listened to very carefully, these songs are true works of art, and without bad spoilers you need to know the rest of the album."
Victor Maltheus, Indieoclock reviews

C-Beem’s latest album, 'Jammin’ The Steam Towers' takes you down a wildlly imaginative and heart-warming musical journey. Led by singer and producer Chris Mills, known as C-Beem, this album is a statement piece of retro-pop sounds to show that he’s got what it takes.
The album opens with the energetic and anthemic 'Peekaboo', instantly grabbing the listener’s attention with an absolutely infectious chorus and empowering lyrics. This quickly sets the tone for what’s to come, a kind of method to the madness. The album continues to throw more of such onto you with tracks like 'Under The Gun', where C-Beem’s vocals shine, showcasing the rawness behind the performance.
One standout track, 'Toad Of Toad Hall', takes you down a whimsical journey filled with playful lyricism and infectious beats. It blends elements of storytelling and social commentary, making it both thought-provoking and enjoyable. 'Starships' brings a nostalgic feel reminiscent of classic rock anthems, while 'Without Love Nothing Is Real' delivers a statement message about the importance of love in our lives.
Throughout the album, C-Beem demonstrates a spark and distinction that makes him his own beast. Each track offers a unique sonic experience, blending vintage synth sounds from the ’80s and ’90s with a Bowie-like charisma, groovy disco infectiousness, soulful keyboard solos, and experimental elements. The album is able to thereby bring to life a solid rhythmic groove foundation while exploring a mesmerizing fusion of acid jazz and art pop. This is retro music done right in every which way.
Whether you’re simply craving a dose of nostalgia, or want to experience sounds that are wildly diverse and wholly unique, this is bound to be a whole lot of fun to dive into.
'Jammin' The Steam Towers' is an album that showcases the artist's versatility and willingness to experiment with different genres. It features catchy hooks, intricate instrumentation, and thought-provoking lyrics that will keep listeners engaged from start to finish.
Kartik Sundar, Find No Enemy reviews

"C-Beem is a genius whose musical ideas appeal to many people around the world. His ability to seamlessly blend various musical styles into a cohesive sound is truly impressive, and "Jammin' The Steam Towers" is a testament to his skill as a musician. With its unique blend of electronic, rock, and pop influences, this album is sure to be a hit with fans of all genres."
Kamil Bobin, The Musical Road

"C-Beem’s latest album, 'Jammin’ The Steam Towers' is a fun multi-varied captivating and soul-stirring musical journey that is rooted retro synthesizer pop. C-Beem is the moniker for Chris Mills, a Leicester City UK singer and producer. With thoughtful lyrics and infectious melodies, this album showcases C-Beem’s artistic versatility and heartfelt storytelling.
The album kicks off with the energetic and anthemic track 'Peekaboo'. It sets the tone for the album, immediately drawing listeners into the captivating world of C-Beem’s music. The lyrics speak of resilience and defiance, encouraging listeners to embrace their uniqueness and confront societal challenges head-on. The infectious chorus and catchy melody make it an instant earworm.
'Under The Gun' follows with its powerful guitar riffs and infectious rhythm. The song delves into personal introspection and the struggle to understand oneself fully. C-Beem’s vocals shine on this track, displaying raw emotion and vulnerability.
'Toad Of Toad Hall' stands out as a whimsical and lyrically rich track. With its playful lyrics and infectious beats, it takes listeners on a journey of imagination and childlike wonder. The song blends elements of storytelling and social commentary, making it both thought-provoking and enjoyable.
'Starships' brings a nostalgic feel, reminiscent of classic rock anthems. The catchy chorus and melodic hooks make it a standout track on the album. The lyrics evoke a sense of longing and nostalgia, reflecting on lost love and the passage of time.
'Without Love Nothing Is Real' delivers a powerful message about the importance of love in our lives. The track’s soulful melodies and emotive vocals create a deeply touching experience. It serves as a reminder to cherish and nurture the love that surrounds us.
'Warriors' stands out as an uplifting and inspiring song. It celebrates the strength and unity of humanity, emphasizing the need to stand together in the face of adversity. The infectious rhythm and empowering lyrics make it a standout track that will resonate with listeners. The album’s title track,
'Jammin’ The Steam Towers' is a real high note. The song’s energetic instrumentation and infectious chorus create a captivating musical experience. The lyrics speak of resilience and determination, urging listeners to embrace change and overcome obstacles.
This is a remarkable album that showcases C-Beem’s musical prowess and songwriting skills. Each track offers a unique sonic experience with thoughtful lyrics and memorable melodies. From the anthemic energy of 'Peekaboo' to the introspective beauty of 'Without Love Nothing Is Real'.
'Jammin’ The Steam Towers' delivers a politically adventurous and comical musical journey, blending memorable vintage synth sounds from the 80s and 90s with Bowie-like charisma, groovy disco infectiousness, soulful and beautifully executed keyboard solos, operatic and experimental elements, all while maintaining a mellow and bright balance on the album’s solid rhythmic groove foundation, creating a mesmerizing fusion of acid jazz and art pop.
Rubin Mathias, Sinusoidal Music

"C-Beem's "Jammin' The Steam Towers" delivers a spectacular album that pulls the listener through a marvelous array of sounds and sensations. The album collects an eclectic range of musical styles under C-Beem's signature synth-infused production, enchanting us to bygone eras and imaginary worlds with each track.
'Peekaboo' ( collab with The Fantom Man ) brings the circus to town, as the album erupts into a swirl of noise and chatter upon its opening. Revelers seem to congregate around us amidst a sea of vivacious instrumentation and cheering. Though the track abruptly transitions us to a retro disco, we feel as though we've never left, the lively atmosphere following suit.
'Under The Gun' ( song by Lochie Brooks ) draws us into a throwback adventure, with special vocal manipulation ingraining this track with nostalgic wonder. Strings and synths fuel the bliss of 'Toad Of Toad Hall', its bright and funky composition awakening the senses. 'Starships' twinkles with luminous synth-work, sparking joy and delight in equal measure. 'Dancing Inside' seduces us into unfamiliar pleasures, its strange yet sublime soundworld transporting us far from the everyday.
'Long Walk' ( song by Graham Summers ) is dramatic, grand, and luxurious, moving us with lush strings and captivating melodies. The tale this track weaves is worthy of adulation. C-Beem's magnum opus comes in the form of 'Babel', its piano carrying the happy melody into our hearts while other instruments join in. The piano's voice remains clear yet poignant, imbuing the track with power and poise to last.
Across 'Jammin' The Steam Towers', C-Beem bathes the listener in spectacle and wonder. Each track enlightens us in its own unique way, coming together to craft an unforgettable aural venture. We are transported to Van Gogh's starry nights, swayed in retro's romantic embrace, and stirred by unseen drama. C-Beem forges a diverse yet cohesive sonic fantasy, placing us inside imagination made real. 'Jammin' The Steam Towers' ignites the mind and the soul, an album that sears itself into our memory. Stream this knockout of an album and lose yourself in its dazzling soundscapes and sweeping melodies. Follow C-Beem on social media to know more about his upcoming projects."
EDM Rekords Music Reviews

"C-Beem’s newest album is an explorative, varied journey of emotions, styles, and sounds that retain a trademark retro-synth sound that binds the experience together into a cohesive and entertaining listening experience.
C-Beem is the moniker for Chris Mills, a Leicester City-based producer, and composer whose infatuation lies with vintage synth sounds from the 80s and 90s, of which we find loads in his latest album, titled Jammin’ The Steam Towers. At parts political, at parts adventurous, fantastical, and even humorous, the album is a trip that rewards multiple listens.
The promising start of the album with Peekaboo is unforgettable. The swagger, charismatic, yelled vocals bring a Bowie-like confidence that made the 80s-inspired retro synths sound just right. The driving and groovy piece is disco-conscious and infectious, multi-faceted, and loaded with a terrific keyboard solo that’s soulful and beautifully breaks the hectic pace with the help of acid jazz. From the experimental and brooding darkness of the following cut, Under the Gun, and its memorable, rhythmic howls, onto the playful and bright synth-pop offering of Toad Hall. With a spoken, fantastical story, this fusion brought to mind M83’s touching “Raconte-moi une histoire”, another song that’s also coincidentally about a frog.
Without Love Nothing Is Real brings to the table a hint of Phil Collins and his memorable and catchy hooks, delivered here in the form of lines that repeat on the piano and a modulated guitar in this modal-sounding composition, and along with the vocals, the output is a charismatic and adventurous piece that defines a more accessible sound on this album. The heartfelt Warriors is next in line. Based on a soulful acoustic guitar part, this sweet and triumphant-sounding piece brings to mind some of Michael Jackson’s humanitarian songs with their empowering arrangements and simple compositions, and touching lyrics; Heal the World is an example.
The title song is a grand and progressive piece that rewards multiple listens. The retro-sounding synths are industrial and foreboding, and the distorted guitars introduce a brand-new color to the album. The album ends with another memorable piece of music, Babel. The song’s stirring melodies, interesting drum timbres, and touching composition all serve to make Babel a warm closer to bookend an album that varies greatly in concept and in execution.
C-eem’s latest album excels on multiple fronts, and chief among those is its effortless variety. Each song easily stands on its own, but bringing them together serves to add an element of cohesion that helps most songs, but doesn’t fair that well on a few others that end up suffering from issues in pacing or a mix that just sounds too removed from its surroundings, and the excellent single Starships is one of those. Regardless, Jammin’ the Steam Towers is interesting to listen to, and that should not slip under the radar of lovers of Electronica and Synthpop."
Moataz Gwaily, Sistra Reviews

"And so, here we are, anticipating the British talent’s upcoming record, a full-length release titled ‘Jammin The Steam Towers’.
The album is set to contain 10 original tracks, all exploring the artistic universe around C-Beem’s majestic and complex musical prowess. In it, the listener will find everything that makes the project a rare find: a culturally informed sound, the best electronic tradition, and refined songwriting. Balanced between art-pop, 70s synth-pop and psychedelic tones, ‘Jammin The Steam Towers’ really hit the mark. Our personal favourite must be ‘Toad of Toad Hall’, a song that truly mirrors the glorious era of ‘Synth Britannia’."
Gabriel Mazza, Mesmerized Reviews